"Good design begins with honesty, asking tough questions, collaboration and from trusting your intuition."
–– Freeman Thomas (b. 1957), American automobile and industrial designer
via: Sketchbook 16, 2011, p. 146
"Good design begins with honesty, asking tough questions, collaboration and from trusting your intuition."
–– Freeman Thomas (b. 1957), American automobile and industrial designer
via: Sketchbook 16, 2011, p. 146
"I asked Sanna [Haverinen] about inspiration and how she finds it. Her answer: "I cannot simply sit down and think about things to make and bring forth new creations. It's when I start doing something with my hands that the process actually happens –– out of that, something new will begin and evolve."
–– Lotta Jansdotter, Åland-born, American-based designer, maker, artist, author, teacher
Source: Lotta Jansdotter. Open Studios with Lotta Jansdotter. San Fransisco: Chronicle Books, 2011; p. 124.
via Sketchbook 16, 2011, p. 142.
"... collage is all about recycling, reinterpretation and reprocessing of our collective past, present, and future."
–– James Gallagher, American collage artist, editor, publisher, and creative director
Source: Cutting Edges: Contemporary Collage, Preface, unpaginated.
via Sketchbook 16, 2011, p. 125
–– David Horvitz (b. 1982), American visual artist
via: Sketchbook 15, 2011, p. 143
–– Eccleston W. Wainwright, African-American jazz drummer
Source: conversation with Nathaniel Klemp, 2001
via: Sketchbook 15, 2011, p. 93
"This world is but a canvas to our imaginations."
–– Henry David Thoreau (1817-1862), American essayist, philosopher, and poet
via Sketchbook 15, 2011, p. 71
"In Islamic art, the square was often a symbol for Earth. The four corners represent the four directions of the compass, or what were thought to be the four states of matter –– solid, liquid, gas, and fire."
–– Janey Levy, author
Source: Janey Levy. Islamic Art: Recognizing Geometric Ideas in Art. New York: PowerKids Press, 2007, p. 9.
via: Sketchbook 15, 2011, p. 37.
Source: May 2011 Dwell magazine, page 52. http://monicaforster.se/
via: Sketchbook 15, 2011, p. 28
"A creative mess is better than tidy idleness."
–– unknown
via Sketchbook 15, 2011, p. 13
"Too many pieces finish long after the end."
–– Igor Stravinsky (1882-1971), Russian-born French and American composer, pianist, and conductor
via Sketchbook 15, 2011, p. 10
"Style is eternal and yet it evolves all the time. It can be compared to a tree. Every spring, the same tree is there, but it is not the same as it was before."
–– Gabrielle Bonheur "Coco" Chanel (1883-1971), French fashion designer and businesswoman
via Sketchbook 14, 2011, p. 147
"The trouble with normal is it always gets worse."
–– Bruce Cockburn (b. 1945), Canadian singer-songwriter and guitarist
via Sketchbook 14, 2011, p. 140
"God is not found in the soul by adding anything but by subtracting."
–– Meister Eckhart (1260-1328), German Catholic theologian, philosopher, and mystic
"All the wrong people have self-esteem."
–– Laurie Rosenwald (b. 1955), American artist, animator, and author
via Sketchbook 14, 2011, p. 110
"Be regular and orderly in your life so that you can be violent and original in your work."
–– Gustave Flaubert (1821-1880), French novelist
via Sketchbook 14, 2011, p. 94
"Fear is the mortal enemy of creativity, innovation, and happiness."
–– Alex Bogusky (b. 1963), American designer, advertising executive, and writer.
via Sketchbook 14, 2011, p. 92.
"Accident is the name of the greatest of all inventors."
–– Mark Twain (1835-1910), pen name of Samuel Clemens, American writer
via Sketchbook 14, 2011, p. 85
"When it is dark enough, you can see the stars."
–– Ralph Waldo Emerson (1803-1882), American philosopher and writer
via Sketchbook 14, 2011, p. 48
"Discoveries and inventions arise from the observation of little things."
–– Alexander Graham Bell (1847-1922), Scottish-born (with ties to Canada and the United States), inventor, scientist and engineer
Source: National Geographic, January 1988, Vol 173, No. 1, p. 11
via Sketchbook 13, 2011, p. 143
"Holding a grudge is letting someone live rent-free in your head."
–– Unknown
via Sketchbook 13, 2011, p. 112
"Resist the usual."
–– Raymond Rubicam (1892-1978), American advertising pioneer
via Sketchbook 13, 2010, p. 79
"A good traveller has no fixed plans, and is not intent on arriving."
–– Lao Tzu (c. 500 BCE), Chinese philosopher and writer
via Sketchbook 13, 2010. p. 45
"What's wrong with how we engineer things is that most of what we accept as the proper order of things is based on assumptions, not observations. If we observed first, designed second, we wouldn't need most of the things we build."
–– Ben Hamilton-Baillie (1955-2019), British architect, urban designer, and movement specialist
Source: Matthew E. May. In Pursuit of Elegance.
via Sketchbook 13, 2010, p. 34.
"The painter will produce pictures of little merit if he takes the works of others as his standard; but if he will apply himself to learn from the objects of nature he will produce good results. This we see was the case with the painters who came after the time of the Romans, for they continually imitated each other, and from age to age, their art steadily declined."
–– Leonardo da Vinci (1452-1519), Italian painter, engineer, inventor, and architect
via Sketchbook 13, 2010, p. 24
"We don't stop playing because we grow old; we grow old because we stop playing."
–– George Bernard Shaw (1856-1950), Irish playwright, critic, and social activist
via Sketchbook 13, 2010, p. 17
"My painting does not come from the easel. On the floor I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well."
–– Jackson Pollock (1912-1956), American Abstract Expressionist painter
Source: Matthew E. May. In Pursuit of Elegance, p. 52
via Sketchbook 13, 2010, p. 16
"In everything ... uniformity is undesirable. Leaving something incomplete makes it interesting, and gives one the feeling that there is room for growth. ... Even when building the imperial palace, they always leave one place unfinished."
–– Japanese Essays in Idleness, 14th Century
via Sketchbook 13, 2010, p. 11
"I am not young enough to know everything."
–– Oscar Wilde (1854-1900), Irish poet and playwright
via: Sketchbook 12, 2010, p. 142
"A true revelation, it seems to me, will only emerge from stubborn concentration on a solitary problem. I am not in league with inventors or adventurers, nor with travellers to exotic destinations. The surest – also the quickest – way to awake the sense of wonder in ourselves, is to look intently, undeterred, at a single object. Suddenly, miraculously, it will reveal itself as something we have never seen before."
–– Cesare Pavese (1908-1950), Italian poet, novelist, literary critic, and translator
Source: Dialoghi con Leuco, 1947, cited in The Elements of Typographic Style by Robert Bringhurst, 1992.
via Sketchbook 12, 2010, p. 133