Wednesday, 31 October 2012
Adobe Illustrator meets Duchamp & Ray
Above is my first attempt at replicating the Duchamp-Ray rotary design. My second, third, and fourth attempts aren't as good as the first. When I was making the first iteration, it was from memory. When I tried to replicate it straight from the image, my attempts looked muddled and too complex. In this case, simple is better.
Tuesday, 30 October 2012
Children's Art: Sophie
Monday, 29 October 2012
Friday, 26 October 2012
Week 39: Adobe Illustrator
Hexdots © Karen Thiessen, 2012 |
* For proof that I'm learning about text, see Monday's Vincent Van Gogh quote.
Thursday, 25 October 2012
Fibreworks 2012: Jolie Bird
Jolie Bird Chair Wrapped in Gold Thread, 2011; Photo credit: Karen Thiessen, 2012 |
Jolie Bird Chair Wrapped in Gold Thread, 2011; Photo credit: Karen Thiessen, 2012 |
* Photographs taken with permission from Mary Misner, Director of Cambridge Galleries
Wednesday, 24 October 2012
Fibreworks 2012: Liv Pedersen
Liv Pedersen Gertrud and Max, 2012; Photo credit: Karen Thiessen, 2012 |
Liv Pedersen Max, 2012; Photo credit: Karen Thiessen, 2012 |
Liv Pedersen Gertrud, 2012; Photo credit: Karen Thiessen, 2012 |
In case you were wondering, Gertrud is 31 X 31 cm and Max is 33 X 23 cm. I was curious to see the hanging devices, but taking an artwork off the wall in the middle of an art opening is usually verboten, so I didn't.
Artist statement: "The primitive Dutch plank loom has for many years been my favorite tool for expressing myself. Lately my small tapestries have been shaped, depicting imaginary faces of freaks and creatures that are more fantasy than portraiture. They are inspired by folk tales and literature. The weaving process takes on a life of its own and often the faces are woven upside down to allow for a more intuitive approach."
* Photographs taken with permission from Mary Misner, Director of Cambridge Galleries
Tuesday, 23 October 2012
Fibreworks 2012: Petrina Ng
Petrina Ng Apparently forever isn't long enough (dog fur diamonds); Photo Credit: Karen Thiessen, 2012 |
Petrina Ng Apparently forever isn't long enough; Photo Credit: Karen Thiessen, 2012 |
Petrina Ng Apparently forever isn't long enough detail; Photo credit: Karen Thiessen, 2012 |
* Photographs taken with permission from Mary Misner, Director of Cambridge Galleries
Monday, 22 October 2012
Quote: Vincent Van Gogh
* here's proof that I'm finally tackling the chapters on working with text in my Adobe Illustrator manual.
Friday, 19 October 2012
Week 38: Adobe Illustrator
Crossed II © Karen Thiessen, 2012 |
Crossed I © Karen Thiessen, 2012 |
Thursday, 18 October 2012
Mola
Mola; Photo credit: Karen Thiessen, 2012 |
Mola detail; Photo credit: Karen Thiessen, 2012 |
Mola detail; Photo credit: Karen Thiessen, 2012 |
Mola detail; Photo credit: Karen Thiessen, 2012 |
Wednesday, 17 October 2012
Studio Series: Folded Patterns II
Smocked polka dot dress; Photo credit: Karen Thiessen, 2012 |
Black & White folded pattern I © Karen Thiessen, 2012 |
Tuesday, 16 October 2012
Jamesville Ceramics & Paints
Old-fashioned hardware stores are a dying breed as mega-stores muscle them out of business. Jamesville Ceramics and Paints is the real deal and meets the needs of downtown Hamilton where mega-stores fear to tread (thank goodness!). The service is friendly and the store has soul. It's a place where you want to take your time looking at all the cool gizmos. I especially like the red and yellow stripes that mark a grade change from one part of the store to another. Whether you want to can a batch of tomatoes or caulk your old windows, you can find what you need at Jamesville Ceramics and Paints.
Monday, 15 October 2012
Quotes: Stephen King
"Talent is cheaper than table salt. What separates the talented individual from the successful one is a lot of hard work." – Stephen King
Friday, 12 October 2012
Week 37: Adobe Illustrator
Dotted Bulls-eye © Karen Thiessen, 2012 |
My fascination with the dotted line is providing the right balance (a.k.a. diversion) to my current goal to get through the chapters on using text in Adobe Illustrator. This pattern has an Aboriginal Australian pattern feel to it.
Thursday, 11 October 2012
Fibreworks 2012: Tammy Sutherland
Tammy Sutherland How to Lift, 2010; Photo credit: Karen Thiessen, 2012 |
How to Lift is small: 38 cm wide by 29 cm high (15" X 11.4") and it is the smallest stand-alone piece in the show. Small is beautiful. The scale, intimate subject matter, irregular shape, and thoughtful details invite you to come close and take time with it and the quirky imagery forces you to come up with your own narrative of what it is about. Furthermore, that the piece is bound on three sides and not on the fourth, indicates to me that maybe this is the first piece of a series. Tammy's artist statement indicates that it is part of a series, but does not say where it resides.
Tammy Sutherland How to Lift, detail; Photo credit: Karen Thiessen, 2012 |
Tammy Sutherland How to Lift, detail; Photo credit: Karen Thiessen, 2012 |
For those who need to know more, here's the didactic text from the exhibition:
Tammy Sutherland, Winnipeg, MB
How to lift, 2010
Hand-dyed and printed cotton, embroidery thread, appliqué, screen printing, hand and machine pieced
Artist Statement:
My art is an act of salvage. I reclaim "waste" materials through repetitive, contemplative and sometimes mind-numbing work. I work with the simplest of processes: hand sewing, open screen-printing, and improvisational dyeing and cutting.
This series of small quilted pieces features embroidered line drawn images inspired by first aid textbooks and newspaper clippings. Otherworldly appliquéd creatures and embellishments emerge from the artist's colourful scrap pile to accompany the unknowing human figures on their journey through an imagined "post-historic" landscape. The past may be closed to them, but an opening ahead beckons them into an infinite and borderless space.
These small tableaus may point towards vulnerability, loss, compassion and a messy kind of beauty.
* Photographs taken with permission from Mary Misner, Director of Cambridge Galleries
Wednesday, 10 October 2012
Supercrawl 2012: Papier Maché Necklace
A giant blobby necklace made of papier machéd balloons is probably not what you would expect to see on my blog. Neither the necklace nor the presentation are exceptional. The moment I saw the necklace I was reminded of a papier maché igloo that I made in Kindergarten and it brought back a flood of good memories. Unlike the above necklace, some of whose beads look soft and sunken, my igloo was sturdy. With another classmate, I covered a balloon with strips of paste covered newspaper, followed up with a layer of white paper towel. I can still remember the feel of the warm paste as I squeegeed the excess from the torn paper strip with my index and middle fingers before layering it onto the balloon. Once the papier machéd balloon was firm and dry, our teacher cut it in half, and cut a small half circle for the igloo door. Then I was free to draw pencil lines on my igloo to represent the snow bricks. Shortly after I made the igloo, my mom made a purple plaid dress coat with a matching hat for me. My ever practical mom appropriated my igloo to become the hat form. When I outgrew the hat and coat, they, along with my igloo, were given to another young girl. I still think about that igloo.
Reflecting on childhood crafts and my anxiety about an upcoming solo show, I was reminded of this Sheryl Crow quote:
Reflecting on childhood crafts and my anxiety about an upcoming solo show, I was reminded of this Sheryl Crow quote:
"I called [Bob Dylan]. ... I said, "I am totally wigged out and I don't know what I am supposed to be doing, and I've got a lot of pressure to incorporate what's going on." He said, "Go back to your roots. Take out the albums that you loved and play those songs. Get your band together and rehearse those songs, and then you will start writing." And that's what I did." – Sheryl Crow, Rolling Stone, October 31, 2002.Maybe it's time that I went back to my roots and played with papier maché once again.
Tuesday, 9 October 2012
Supercrawl 2012: Toronto Hyperbolic Crochet Reef
One highlight of September's Supercrawl was the Toronto Hyperbolic Crochet Reef installation at White Elephant on James Street North. Watch the TED talk below to get some context for this project.
Monday, 8 October 2012
Quotes: Brian Eno
"If you want someone to feel emotion, you have to make them let go. Listening to something is an act of surrender." – Brian Eno
Friday, 5 October 2012
Week 36: Adobe Illustrator
W pattern © Karen Thiessen 2012 |
Happy Canadian Thanksgiving to you all!
Thursday, 4 October 2012
Pamela Lakin @ DVSA Gallery
Pamela Lakin Simone with Pearl, 2011; Photo credit: Karen Thiessen, 2012 |
Pamela Lakin Simone I, 2010; Photo credit: Karen Thiessen, 2012 |
Pamela Lakin; Photo credit: Karen Thiessen, 2012 |
Pamela Lakin Micaela, 2010; Photo credit: Karen Thiessen, 2012 |
* Photographed with permission from Pamela Lakin.
Wednesday, 3 October 2012
Studio Series: Vat dye & Shibori workshop
The preparation process; Photo credit: Karen Thiessen, 2012 |
It's been a long time since I dyed with indigo, so I was pleased to refresh my skills. Roisin taught us various mechanical resists (clamping, sewing, tying). She also brought three vat dyes in jade, gold, and black. In the above picture you'll see the before images. I pieced a few hexagon clusters to over-dye and I brought some ugly fabrics to transform. In the above image, you can see the tied circles fabric before dyeing (dusty green fabric in the 6 o'clock position).
Vat dye results; Photo credit: Karen Thiessen, 2012 |
More vat dye results; Photo credit: Karen Thiessen, 2012 |
Tuesday, 2 October 2012
TOAE 2012: Jen Kneulman
Jen Kneulman textiles; Photo credit Karen Thiessen, 2012 |
Jen Kneulman textiles; Photo credit Karen Thiessen, 2012 |
Jen Kneulman textiles; Photo credit Karen Thiessen, 2012 |
Jen Kneulman textiles; Photo credit Karen Thiessen, 2012 |
Monday, 1 October 2012
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